320 pages, Vintage Contemporaries
Review by: J. S. Colley
Plainsong: noun Unaccompanied church music sung in unison and in free rhythm according to the accentuation of the words
When this book
was first published, I got the notion it had something to do with religion. Not
that I have anything against religious-themed books, it’s just I wasn’t in the
mood to read one. I don’t know where, or why, I got the idea, but perhaps my
subconscious made the false connection due to the definition of the one-word
title. I decided to read Plainsong only after discovering it was a
favorite novel of someone who knows a thing or two about books and whose
opinion I respect. (No, I’m not going to name drop.) In any case, I’m glad I
decided to read it.
First, I
must point out that one of my all-time favorite books is The Road by
Cormac McCarthy. The reason I loved this book so much was the rhythm, pace, and
unadorned writing style. I thought Mr. McCarthy was the pioneer of this
method—apparently not. Haruf wrote his book in the same sparse, unsentimental
way and it was published before The Road. After thinking about it, I
realized there were many other books written in this same manner, such as Angela’s
Ashes, and I enjoyed them all.
I once
read a review of The Sisters Brothers by Patrick deWitt that stated it
would be the result if McCarthy had a sense of humor. After reading Plainsong,
I think The Road would be the result if Haruf had no sense of hope.
While the
writing style of the two books is similar, the plots are very different. Plainsong
lets the reader eavesdrop on the lives of several people from the small
community of Holt County, Colorado through (roughly) one year. Haruf doesn’t
tell us what to think about what we witness, or how we should feel, he lets the
words and simple movements of the characters tell us, and he lets the pace and
rhythm of the writing set the mood.
The central
character is Guthrie, a schoolteacher. Through him, we are linked to his two
young boys, his estranged wife, new girlfriend, a young pregnant girl and the
two old farmer brothers who agree to take care of her when she’s thrown out of
her home.
While Hauf
doesn’t tidy up every element at the end of the book, we do see how the
characters became connected and changed as the result of events that happened
during the previous year. The reader is left with a sense of hope that their
lives are, or will be, somehow better. The reader is also left with a sense of
the bittersweet nature of life—of the almost painfully sad beauty of it.
Plainsong, like its namesake, is simple and unadorned and, when told in unison, the story of each of the characters creates a tender harmony.
I recommend.
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