240 pages, Gollancz
Review
by Pat Black
Arthur
C Clarke’s mysterious worlds are mainly concerned with outer space. But in The Deep Range, he dives into his other
abiding scientific interest: the oceans.
The novel was first published in 1957, and is an appropriation of an earlier short
story of the same name. In the prototype, a man in a high-tech submarine acts
as shepherd to a flock of whales, protecting them from giant sharks and killer
whales. The story, and the novel that succeeded it, has a fairly radical
central concept: that worldwide hunger could be eradicated by farming the great
whales for food.
As
Clarke wryly notes in his 1988 foreword to this novel, whales have had “excellent
public relations” in the nearly 60 years hence, and so for many of us the idea
of harming them, much less eating them, is repugnant. But even if Clarke’s
ideas don’t quite work, they still intrigue us. If we can’t have whale meat,
Clarke reasons, maybe we can have whale milk? And if men in submarines are shepherding
whales, why can’t we have killer whales to act as sub-aqua sheepdogs?
As
in many other Clarke stories, the human participants are a chore to be attended
to before we get to the fun. As far as it goes, he gives a backstory to his
main protagonist, the ex-astronaut Walter Franklin, but it’s couched in terms
of scientific curiosity and new psychological frontiers. Franklin’s had an
accident in space, and is effectively banished to earth to begin a new career
as a submarine ranger. Franklin has an acute psychological problem linked to a
sense of space: astrophobia, best described as agoraphobia times infinity.
Franklin
not only tackles his condition, but defeats it – indeed, he becomes a success
through having done so. Clarke has used this theme of a damaged man returning
to useful employment more than once. This reminds me of another Clarke short,
where two men are stuck on a malfunctioning spacecraft with only enough oxygen
to get one of them back home alive. One of them has had a total nervous
breakdown earlier in the mission. We are meant to think he is toast, compared
to his bullish co-pilot - but he triumphs, in spite of his nervous affliction. I
wonder if there was some sort of psychological crisis in Clarke’s life, a
trough he had to negotiate before hitting the peaks? As with many things in
Clarke’s somewhat colourful private life, we may never know. A lifetime’s worth
of his journals will stay sealed for another forty-odd years.
Franklin
takes to his new job like a duck to water, and is soon fighting off great white
sharks and whatnot to protect his flock. He makes a friend in Don Burley, a
fellow submariner who starts off as a rival before mellowing out. He also meets
Indra, who becomes his wife, and bears him a couple of kids. There’s no
suggestion that this could have been a love triangle of any kind – unless we
factor in Clarke’s closeted homosexuality, and the inescapable fact that
Franklin and Burley have a more interesting relationship than Franklin and
Indra.
As
in The City and the Stars, the story’s
primary concept is used for the principals to have whacko, episodic adventures
which might have been dreamed up by a seven-year-old. They torpedo ferocious
sharks; they capture a giant squid; and there are some tantalising glimpses of cryptozoology’s
prize catch, the great sea serpent.
Clarke’s
prescience also comes into play. When we first meet Indra, she is tagging a
tiger shark with detection equipment – another bit of on-the-nose prophesying
from Clarke? This must have been decades before scientists started doing it in
the real world.
Clarke
also foreshadows instant global communications and the idea that news in one
part of the world can have a global reach in a matter of seconds, whereas in
the 1950s the same data might have taken days to get moving. He was a sharp cookie,
old Arthur C.
He
is a bit off-beam in some other prophecies. There’s one idea (which he returned
to in Profiles of the Future) which
sees mankind extracting all the mineral wealth that could ever be needed from
seawater; surely that’s nothing more than a pipe dream, for any generation.
Clarke
also foresees that the rising star of Judaism would have caused the extinction
of the Muslim faith. After that, he predicts that science and the world of
rational, quantifiable facts will ultimately push all religious faith to the
margins of the civilised world…
I
think you can whistle for that one, mate.
His
idea that the world’s dominant belief would become Buddhism is a charming one.
This is because it’s more of a philosophy than a rigid doctrine, Clarke argues,
and as such is less susceptible to being swamped by the rising tide of
scientific progress. Again… nice idea, in theory. But one central idea of
Buddhism - that we should not seek to harm our fellow creatures - comes into
play by the novel’s end. It is this fascinating clash between the material
necessity of feeding the earth’s population, and concern for the great whales -
with all their strange grandeur and unknowable intelligence - that provides the
book’s most fascinating conflict. The final chapter sees Franklin engaged in
one last dive to rescue a stricken submarine crew, Thunderbirds-style, but it
is his attempted conversion by a Scottish-born Dalai Lama that provides the
true conclusion to the narrative.
There
are the usual caveats when approaching a Clarke novel. No, there’s not much in
the way of feminism; Indra rather drops out of the narrative by the time
Franklin puts a ring on it (although to be fair to Clarke, he does talk about her
studying hard and trying to get back into work). What are we to make of
Franklin’s previous wife and family, abandoned on Mars, owing to some sort of
gravitational/biological issues? And, yes, characterisation is weak, with only
the Buddhist spiritual leader really sticking out.
But
we don’t read Arthur C Clarke for any of those things. We read him for his
terrific ideas, his star-bright perception of scientific possibilities - and because,
no matter how much of a clever-clogs he was, he enjoyed a good monster moment
as much as the next guy.
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