382 pages, Hodder & Stoughton
Review
by Pat Black
On
the planet Mars, far into the future, a lower stratum of the human race will
work, live and die in order to prop up a hierarchy of social and economic
superiors, without even a chance of tasting the good life themselves. Sound
familiar?
Pierce
Brown’s sci-fi debut is a big, ambitious novel, the first in a trilogy. Red Rising follows the story of Darrow,
a teenage Helldiver who works in the gas mines deep beneath Mars’ crust. It’s a
hard life for the Helldivers – “Reds” - and their families. Told that they are
the glorious vanguard of humanity in space, they toil away in ignorance for
generation after generation, never seeing the sun, exposed to hazard every day
and usually dying young. In reality, they are slaves.
Organised
into tribes, the Reds compete for special favours from their overlords.
Darrow’s tribe never has the resources to hit certain targets in order to get a
bonus – but Darrow is no ordinary Helldiver. When his skill and recklessness
bucks the odds one day, he discovers that the bonus was never meant to go to
his tribe, and that the competition is an illusion. This triggers a tragic
chain of events which sees everything Darrow loves destroyed. His only
honourable way out is to kill himself.
He
is rescued from the gibbet by the Sons of Ares, a terrorist organisation who
want to wipe out the Colours caste system and overthrow the old order. The
Colours hierarchy goes all the way up to Golds, an ultra-elite bred to rule and
maintain order. The term “democracy” is a hilarious archaism in this world; but
the Sons of Ares are looking to bring it back – with Darrow as their inside
man.
In
order to do this, Darrow must change from a Red into a trainee Gold, undergoing
a painstaking physical and mental transformation. From there, he infiltrates
the command school. In the Great Hall, students are confronted by the Sorting
Hat, which organises them into four different Houses – Hufflepuff, Ravenclaw,
Gryffindor and…
Hang
on. Wrong franchise. Pardon me.
From
there, the trainee Golds face off with each other in a contest known as The
Hunger Games. And – Bloody hell, age is a terrible thing. Scratch that.
The
Golds must compete at their academy in order to seize Primacy, a status which
will help Darrow achieve his goal and take command of men and starships.
It’s
a harsh novel, far removed from the muted brutishness of much YA. Darrow loses
all he knows in a heartbeat, and from there he has to make tough decisions and
carry out acts of dreadful violence in order to get ahead. In the “capture the
flag” exercises at the academy he learns to utilise Machiavellian cunning as
well as blunt force. Indeed, the truly subversive message which nags at Darrow
is how great it would be to be a Gold, and to command with absolute
ruthlessness. Darrow’s soul is at stake, as much as his mission.
This
is an ambitious novel with an irresistible social impulse. It has some neat
little signposts to our own world’s tiresome prejudices and affectations. For
example, although the Athenian ideal of democracy is scorned by the Golds, the
upper classes cling to other classical codifiers and referents, much as snobs
the world over do today.
If
Red Rising’s allegory seems too
heavy-handed, then ask yourself just how many novels have tackled the western
world’s current lack of social mobility and grotesquely top-heavy economic
structure. Damned few.
In
the UK, we live in a society in which we see record food bank usage at the same
time as the news tells us we are entering a period of rising wages and economic
stability. Red Rising’s message and
mission statement irritates only in the sense that it still needs to be
delivered, here and now.
I’ll
take Red Rising over any of today’s
crash-and-bluster stories of free market primary-coloured superheroes and
ideologically blinkered, quasi-military psychopaths. An important book, begging
to be utterly ruined by a Hollywood adaptation.
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