by
Steve Alten
Kindle/Kobo
edition, A&M Publishing
Review
by Pat Black
You
know what a Meg is now, don’t you? No, not Pete’s daughter off Family Guy… no,
not the actress who went a bit funny that time on Parky…
Yep,
you’ve got it now. Giant feck-off shark from prehistory, eating people. That
was the working title for The Meg, I
think.
God
bless Jason Statham – the movie is doing well. I think we might have a series
on our hands. Or at any rate, a sequel. The ultimate goal for Megheads has to
be seeing The Trench up on the big
screen.
On
the page, we’re up to the fifth sequel now in Steve Alten’s Meg series, with Meg: Generations. I am old enough to
have been in on it from the start – yeah, sprinkle that on top of your avocado
on toast, millennials – having taken a bite of the original Meg 20 years ago this very month.
I’m
delighted that the Philadephia author has finally seen his creation hit the big
screen. It seemed like we’d never get there. Development hell is the phrase,
alright; Steve Alten had to put up with two full decades of it.
Quick
recap: megalodons are giant prehistoric sharks which died out tens of thousands
of years ago. The only remnants of these animals are their fossilised teeth,
which are longer than Michael Myers’ top-performing filleter, and twice as
lethal. They’re ancestors of today’s great white shark, judging by the shape of
the teeth, only in XXXXL, super-Jacamo size.
In
Alten’s world, these sharks still live in the sunless depths of the Mariana
Trench, which sounds a little bit like a sandwich that makes you feel dirty but
also satisfied. The trench is in fact the deepest point of the known ocean.
Megalodons aren’t the only nasty prehistoric surprise slinking about down there.
We also meet a variety of dinosaurs, such as kronosaurs, mosasaurs and, star
prize, the Liopleurodon, the largest predator known to science. In Alten’s
books, these animals reach the upper surface of the seas and merrily munch on
people. They’re also chased by people with lots of money – Arab oil tycoons,
Russian oligarchs and Chinese tech barons – as coveted exhibits in giant theme
park lagoons. Except they have a habit of escaping and eating spectators,
running wild, uh-oh, full speed ahead on the boat captain, etc etc.
Ace
submersible pilot Jonas Taylor is our link between all six books. He’s getting
a bit older now, but he’s still handy at the joystick of special Manta submarines,
specially designed, it seems, to be chased by giant prehistoric sea beasts. The
latest model of the Mantas come equipped with lasers (makes Dr Evil air speech marks). Yep, he went there.
Like
most dads, Jonas is called upon when his family needs a hand or gets in
trouble, or needs a shelf putting up. Trouble comes most often. His son David
is a chip off the old block, getting into the same sort of scrapes with aquatic
predators as his dad. Jonas’s wife Terry is also on board for the ride, as is
the uncouth helicopter pilot James “Mac” Mackriedes, a useful friend who, you
suspect, could be doing with another wipe or two of a morning.
We
catch up with the action right where Nightstalkers
finished off, as David Taylor helps his former squeeze Jacqueline Buchwald
capture a junior Liopleurodon for UAE-based, super-rich backers. However, they
also captured a livvyatan melvillei,
a Miocene whale with similar bad manners to his prehistoric bros. This ‘roided
up Moby Dick manages to burst out of its holding pen inside a cargo ship, inadvertently
releasing the Liopleurodon. Carnage ensues once again.
David
is tasked with recapturing the Lio; meanwhile, Jonas Taylor has more grounded
problems to solve, when it turns out his wife Terry has terminal cancer. It’s
just as well that one of the prehistoric fish to be found in the Panthalassa
Sea – a giant underground sea haven for all the monsters to be found in these
books – harbours the cure for cancer in its liver, then…
On
top of this, there’s another Megalodon problem – or two, to be precise. The
offspring of Bela and Lizzy, the Meg twins, are also out and about, hunting in
pairs off the coast of northern Canada and causing havoc among the human and
orca population alike. These two killers must also be rounded up and brought
back to the Tanaka Institute to keep the books balanced for the Taylor family.
Meg: Generations soon
finds a groove and provides plentiful meg-dinosaur carnage for us to get our
teeth into. Again, Alten relishes scenes of peril where hapless humans come
into contact with the monsters – this “guess the redshirt” game is one of the
key pleasures in this great big dirty pleasure of a book.
There’s
a cage diving trip involving great white sharks which has an unexpected
visitor. There’s a laugh-out-loud moment where a woman seeks revenge on one
monster shark with a shotgun for having eaten her friend, with predictable
consequences. In the creepiest scene, two characters we’ve come to know, but
not like, are removed from the plot, and existence, by a creature with
unexpected land-lubbing skills on the Farallon Islands. And best of all, one of
the Megalodons discovers it doesn’t like the taste of human flesh… meaning it
only chews people up and spits them out, rather than ingesting them completely.
That’s polite for a Megalodon.
There’s
some more delicious monster-mashing as two of the oceanic titans go
head-to-head, a rematch I’ve been waiting for since book four. But there are
even more incredible prehistoric creatures to be found in the deep, after Jonas
Taylor and friends are forced to go back into the Trench one last time… and
then beyond, down into the Panthalassa Sea.
We
finish on a cliffhanger, which would be annoying if Alten didn’t have book
seven, Meg: Purgatory, ready to go
shortly. As ever, I’ll be there…
The
book has a preoccupation with real estate, legal entanglements and other
contractual headaches which made me think that Alten had to contend with similar
issues in real life while he was writing. There’s a comic moment near the end
where we’re meant to be on a knife-edge, wondering whether a lawyer is going to
be able to send signed paperwork off on a fax machine before a giant underwater
bastard breaks free from its pen. I wasn’t interested in this at all, although
I suppose Alten wanted to inject a sense of realism into proceedings. If
someone was eaten at a theme park, you can bet that there’d be some litigation
to follow.
Other
than that, it’s terrific fun, a book I cut through in no time at all. I didn’t
use the word “guilty” as an adjective for “pleasure” above, in a space where it
might have fitted well. That’s deliberate, because I don’t feel guilty about
liking this series. Meg is my “thing”
– a wee step back into cosy, warm bath water, like when I splashed around with
my dinosaur toys as a wee laddie. I’m chuffed to bits to see Steve Alten’s big
fish tale is making a splash with cinema audiences around the world. Who knows,
I might even get to see it myself any day now, family life permitting.
In
the meantime, there is a job lot of monsters to play around with here. Onwards
to book seven, and all-new critters.
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